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I Desire That Something Is Remembering In Slow Motion

November 22, 2001

I desire that something is remembering in slow motion
the putting together and dragging apart of all this,
its delicate patch-quilt, still who knows, what knows?

And somehow, because the miracles exist before we notice them, a small conversation sits up, looks around,
it is a private child, in the morning, before the parents wake, it is up; later, they’ll lay in awe struck positions, that it has awoke without their calling (‘who?’)

It’s a time for now,
beyond winning a name for twice landing from Womb,
from the sky,
and then the earth-sachet.

In this now a self sits,
looking, pleased at all the travel,
not hungry yet, though this is brewing,
slowly and fascinatingly…

A third enclosure is smiling at the ever unpreparedness
from which the external world is reaching away,
always nearer someplace else than those who want it (now), as though the whole earth were a retina looking out, not being able to spot its own face in any reflection.

Now the child is turning to look at the additional strangers and for a moment the whole room is ‘strange’, then a name breaks through Space as if to say, ‘Stay behind me, I know what I’m doing, I have fought these sorts of fires before and watch your head little fellow.’

And we know the difference between a name
and the word for an object whose birth we don’t attribute our belly-buttons to, don’t we?
Because when you say ‘vase’ they all respond
and look towards that vibration, whereas in a crowd
(where the painted design seems more important than the shape) there may only be one Ms. Beatrice Watercan,
that living, loving young woman you met so quickly
vanishing like a rose bud standing too near the lips of a doe.

The stuttering lover has such a wild time getting his point across, the whole crowd privately fancies not figuring him out, so that they can be loved ‘that way’, misunderstanding his intent, lingering around a statue that’s teeter-tottering or forgetting the blazing coldness of winter, watching the silk artist’s window,
her copying a bouquet of flowers, or is it that she is learning from a collection of the master’s successes?

‘Oh!’ the pavement says, ‘If I could only see the roots.’

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